Senin, 20 Mei 2013

A teacher reviews "Waiting for Superman"

We know many teachers who have avoided watching the documentary Waiting for Superman because of what they’ve heard about the film’s view of public school teachers. We asked teacher educator Maureen Barbieri for her thoughts about the film and the messages it sends. After working as a teacher, principal, and literacy coach for many years, Maureen currently teaches literacy courses at the University of New Hampshire, volunteers at a local elementary school, and takes care of two young grandchildren every week.  This is the first in a series of blog posts by Maureen.
Too many of our inner city students are not thriving in school.  So along comes Waiting for Superman, a compelling documentary produced by Davis Guggenheim, to raise the question: “What is our obligation to other people’s children?” The film is an indictment of the public school system with particular criticism aimed at teachers’ unions, the villains of the piece.  Heralded as “inspiring” and “one of the best films of the year,” it left me heartsick. The movie is slick and manipulative, advocating a school reform agenda that pushes charter schools and “teacher accountability” tied to students’ standardized test scores.
Guggenheim deserves credit for shining a light on education, but his solutions are simplistic and ignore the fact that societal inequities are more powerful than any force teachers can bring to bear in schools.  The pedagogy of rote learning, endorsed in the film, is one that many contemporary educators have abandoned in favor of a more student-centered approach that recognizes that knowledge is a process of coming to understand, connecting new information to previously held concepts.
Waiting for Superman casts a rosy glow on Geoffrey Canada, founding principal of Harlem Success Academy, who narrates a short cartoon in which a teacher walks from student to student, opening heads and pouring something from a pitcher.  “It should be simple,” he says. “A teacher filling her students’ heads with knowledge and sending them on their way.  But we’ve made it complicated.” This feels like a leap back into the past; what we really want is students who are much more active participants in their own learning.
Waiting for Superman accuses teachers’ unions of being the monkey wrench in school reform.  If only we could torpedo teacher tenure and move to merit pay, insists the film’s other star, Michelle Rhee, everything would improve.  Rhee, former chancellor of the Washington, D.C. schools, closed 23 schools in one year and offered teachers huge salary increases, if they would agree to forfeit tenure.  Now she travels around the country advancing the idea that unions are the enemy of school reform, and she has been persuasive.  She is not alone in her disdain for the unions, as we have seen in Wisconsin, Ohio, and New Hampshire, where some people place blame on unions for everything from low test scores to budget deficits.
In New York City today, teachers applying for tenure go through a rigorous process of compiling a portfolio, securing letters of endorsement, and being observed and interviewed.  The vast majority of teachers I’ve known over the past 28 years, twelve spent in New York City as a literacy coach, principal, and university instructor, have been conscientious in their commitment to students, something the film ignores.  Teachers do not seek job security at the expense of students’ welfare, as Rhee asserts; they seek to be treated as professionals.
These issues are complex and it won’t be a “superman” who will address them.  The film’s melodramatic portrayal of moms too poor to pay Catholic school tuition, its blanket condemnation of unions, and its presentation of dubious statistics will do little to help. Other, more constructive, ideas abound.
For every dedicated educator shown in the film who is working at a charter or private schools in New York, there are thousands of equally committed and creative teachers working within the public school system. In addition to being excellent teachers in the classroom, they devote hours of free time to their students beyond the school day. I am thinking about two young teachers from IS 131 in New York’s Chinatown who spent their Saturdays taking immigrant kids on walks around the city, encouraging them to make observations, ask questions, and wonder about the implications of what they had seen.  I’m remembering the year a science teacher and I took a group of eighth grade “feisty females” to art museums, cafes, and bookstores every Friday after school. I’m thinking about a fifth grade teacher at PS 11 in Chelsea who designed and implemented a social justice curriculum requiring children to observe and write about what was unfair in their communities and then develop action plans to make changes.
These days I get emails from former NYU students, telling tales of being compelled to follow scripted reading programs. They’re dismayed at the lack of value placed on the teaching of writing and at the obsession with test scores.  They love working with students, but they are disheartened to have such little voice in what happens in their classrooms.  Several have left in frustration already, pursuing journalism or law careers.  Among my current students at UNH there is a sense of foreboding where there was once a sense of joy.  They lament the lack of respect for teachers in the media and among the general public, and they are uneasy about their futures.  I worry that they will lose heart.
Waiting for Superman shows little respect for teachers’ intelligence, integrity, or creativity. Unless we can counter this mind-set, we can anticipate that talented teachers will leave the profession and smart young college students will make other career choices.  The stakes are too high here to allow the nation’s attention to be hijacked by such a narrow, simplistic agenda as the film advances.  Other voices are sorely needed in this conversation: the voices of thinkers like Diane Ravitch, Alfie Kohn, and Linda Darling Hammond; the voices of families whose children are thriving in many types of schools; and, most of all, the voices of teachers who know better than anyone else what it means to work and learn and think alongside other people’s children.
For more information about the issues raised by Waiting for Superman—and the reality behind them– check out these links:
  • Diane Ravitch looks at the reality behind the schools and reforms profiled in the film in her review in the New York Times Review of Books.
  • The Grassroots Education Movement of New York has just released a documentary challenging the picture of public education portrayed in the Guggenheim film.
  • “Good teaching alone can’t overcome the many obstacles” students face when they are not in school writes Joe Nocera in a recent column in the NY Times.
  • Alfie Kohn takes school reformers to task for advocating what he calls “poor teaching for poor children” in this recent commentary in Education Week.

inspirational tupacs lyric

Perhaps I was addicted to the dark side
Some where inside my childhood I missed my heart die
And even though we both came from the same places
The money and the fame made us all change places
How could it be through the misery
That came to pass
The hard times
Can make a true friend afraid to ask
For currency
But you could run to me when you need me
I'll never leave honestly, someone to believe in the shit we see
It's a small thing through and true
What could I do?
Real homies help you get through
And comin' knew he'd do the same thang if he could
Cause in the hood true homies make you feel good
And happy times we be actin' up call the cops
Bringin' the cease to the peace that was on my block
It never stops, when my mama ask me will I change
I tell her yeah but it's clear I'll always be the same
Until the end of time (see more)

lirik pandji - bajak lagu ini

BAJAK LAGU INI
Produced by : Raben
Written by : Pandji
All Backing Vocals by : Pandji

CHORUS
(Bajak lagu ini)
Kalau suka lagu ini nggakpapa, bajak aja dan bantu gue sebarkan ke seluruh negri!
(Atau download nanti)
www.provocative-proactive.com download disana com
(Beli CD ini)
Setengah penghasilan CD akan diberikan untuk anak kanker dinaung C3
(Banggakan hati)
VERSE 1
Hari ini, berkata Pandji, tak peduli kalau karyanya kelak di bajak orang nanti
Ada kalanya para musisi utk mengerti, rakyat kita peduli dengan karya yang berarti.
Dalam arti, di negri ini, orang orang lupa kalau mereka juga mau untuk membeli.
Tapi ingat lagi…
Nggak semua hidup berkecukupan dengan sandang dan papan
Kita bisa berteriak sebangsa serempak, kita maju “Pendidikan adalah hakku!”
Kita minta pendidikan gratis, tapi kalau lagu dibajak mengapa nangis?
Musik adalah pendidikan, pembebasan dari pembelengguan, kebodohan, keminderan, jangan heran, kalau orang banyak yang berharap bisa mengecap musik dengan gratisan.
Bagai pendidikan.
Ingat teman, guru guru ini disejarah akan terekam:
John Lennon, Bob Dylan, Bob Marley, Bang Iwan, dan Marvin, dan Bono, dan Tupac!
VERSE 2
Hah! Gue tau elo benci, elo pikir gue bodoh atau mungin gue dipikir naif.
Jujur gue mengakui, gue bukan mau kaya dari album ini (hehehehe)
Karna itu, gue mikir lebih jernih.
Gue konsentrasi untuk bikin karya seni bukan jual CD.
Seperti stigma pegawai negri, masuk kantor untuk main tetris karna tidak peduli lagi…
Bedanya bekerja dan berkarya, kerja untuk uang, karya untuk kepuasan sendiri saja.
Kalau nyari uang kita fokus dengan metoda yang selama ini berhasil menghasilkan uang.
Repetisi.
Mengulangi pola aman.
Gimana mau berkembang? Kita harus hajar zona aman.
“Slama masuk jam 9, pulang jam 6, uang masuk tiap akhir bulan, AMAN”
Inikah kasus musisi?
Takut liat retur CD sehingga mulai lupa jati diri?
Lagi lagi gue akui, memang tidak mudah nyaman untuk jadi diri sendiri.
Takut dijauhi, tidak diterima oleh calon pembeli.
Penurunan angka CD bukanlah salah musikmu, tapi salah label yang punya metoda kian menjemu.
BACK TO CHORUS

musik = pendidikan

halo,udah lama ngga update blog ini hehehhe sory
oke kali ini saya akan membahas tentang musik.
musik adalah sesuatu yang sanga unik,karena musik bisa merubah perasaan seseorang dari yang tadinya sedih bisa jadi senang atau justru sebaliknya.
musik bagi saya itu juga sebagai pendidikan,saya setuju dengan lagu yang ditulis oleh pandji pragiwaksono yang diberi judul "bajak lagu ini " ada bait lirik yang bagi saya sangat inspiratif dan menentang mainstream tentang bagaimana musik seharusnya , liriknya seperti ini  "Nggak semua hidup berkecukupan dengan sandang dan papan Kita bisa berteriak sebangsa serempak, kita maju “Pendidikan adalah hakku!”
Kita minta pendidikan gratis, tapi kalau lagu dibajak mengapa nangis?
Musik adalah pendidikan, pembebasan dari pembelengguan, kebodohan, keminderan, jangan heran, kalau orang banyak yang berharap bisa mengecap musik dengan gratisan"


bukan rahasia umm lagi kalo di indonesia ,masyarakat lebih suka membeli kaset bajakan,karena harganya murah.
musik itu mahal karena musik adalah kebutuhan pokok,dan musik yang bagus sanga sulit didapatkan .
oleh karena pembajakan lagu sangat tumbuh subur .
sebenarnya musik adalah pendidikan karena dari musik kita belajar melalui lirik lirik yang di nyanyikan oleh sang musisi .
mengapa saya berani bilang kalau musik= pendidikan 
coba liat bagaimana bob marley mengajarkan kita tentang  cinta , liat bagaimana nofx mengajarkan kita tentang  kebebasan itu hak semua manusia  .
 

Rabu, 08 Mei 2013

Inilah Alasan Kenapa E KTP Tidak Boleh di Fotocopy


Inilah Alasan Kenapa E KTP Tidak Boleh di Fotocopy – Berdasarkan Surat Edaran Menteri Dalam Negeri No 471.13/1826/SJ tentang e-KTP yang menyatakan bahwa E-KTP tidak boleh di fotocopy memang membuat terkejut masyarakat. Mereka mengaku baru mengetahui hal tersebut sekarang. Bahkan sudah banyak orang yang memfotocopy  E-KTP mereka untuk berbagai keperluan.
Pemerintah melarang masyarakat yang telah memiliki E-KTP untuk menfotocopy atau menscan E-KTP mereka terlalu sering karena dikhawatirkan sinar laser dari fotocopy maupun scan dapat merusak chip e-KTP dan merusak data nomor induk kependudukan yang terdapat didalam E-KTP.
Bagi anda yang telah memiliki E-KTP tentu mungkin bertanya-tanya dimana sich letak chip E-KTP seperti yang diberitakan oleh Pemerintah. Mungkin anda memiliki pertanyaan yang sama karena saya sendiri juga merasa bahwa E-KTP yang kita miliki saat ini tidak memiliki perbedaan yang berarti dengan KTP lama, hanya saja E-KTP memang lebih tebal dan sedikit lebih kaku.
Lalu dimana letak Chip E-KTP tersebut dan apa keistimewaan E-KTP ini sehingga kita dilarang untuk terlalu sering mem fotocopy E-KTP ? Berikut ini adalah perbedaan E-KTP dengan KTP model lama :
  • Pada KTP lama masih ada tanda tangan Kepala Kelurahan, sedangkan di e-KTP sudah tidak ada lagi tanda tangan sang pejabat itu.
  • Pada KTP lama ada stempel kelurahan, sedangkan di e-KTP sudah tidak ada lagi.
  • Pada KTP lama tidak ada kolom kewarganegaraan, di e-KTP tersedia keterangan kewarganegaraan.
  • Pada KTP lama tidak ada hologram, sedangkan di e-KTP tanda hologram amat jelas.
Pemerintah juga mengatakan e-KTP dilindungi dengan keamanan pencetakan seperti relief text, microtext, filter image, invisible ink dan warna yang berpendar di bawah sinar ultra violet serta anti copy design.
Penyimpanan data di dalam chip sesuai dengan standar internasional NISTIR 7123 dan Machine Readable Travel Documents ICAO 9303 serta EU Passport Specification 2006. Bentuk KTP elektronik sesuai dengan ISO 7810 dengan form factor ukuran kartu kredit yaitu 53,98 mm x 85,60 mm.
Untuk menciptakan e-KTP dengan sembilan layer, tahap pembuatannya cukup banyak, diantaranya :
  • Hole punching, yaitu melubangi kartu sebagai tempat meletakkan chip
  • Pick and pressure, yaitu menempatkan chip di kartu
  • Implanter, yaitu pemasangan antenna (pola melingkar berulang menyerupai spiral)
  • Printing,yaitu pencetakan kartu
  • Spot welding, yaitu pengepresan kartu dengan aliran listrik
  • Laminating, yaitu penutupan kartu dengan plastik pengaman
Mungkin gambar dibawah ini bisa memberi penjelasan kepada anda dimana sebenarnya letak chip e-KTP tersebut.
chip e ktp
Letak chip tersebut berada di bawah logo Hologram pada setiap E-KTP yang kita miliki saat ini.
hologram e ktp
Gambar Hologram E-KTP tersebutlah yang harus kita jaga agar tidak tergores apalagi patah, karena mungkin suatu saat E-KTP perlu di scan untuk keperluan tertentu.
Lalu bagaimana jika karena keperluan tertentu kita harus mencantumkan atau melampirkan fotocopy KTP, solusinya adalah kita memfotocopy atau men scan E-KTP kita sekali saja dan hasil fotocopy atau scan tersebut kita jadikan master. Jadi kita tinggal memperbanyak hasil fotocopy / scan E-KTP tersebut jika suatu saat diperlukan.
Seharusnya dengan nomer induk kependudukan yang terpusat saat ini kita tentu tidak perlu harus mencantumkan fotocopy KTP lagi untuk mengurus segala keperluan. Kita tinggal mencantumkan NIK E-KTP kita saja.
Itulah artikel tentang Inilah Alasan Kenapa E KTP Tidak Boleh di Fotocopy semoga dengan artikel ini bisa memberikan manfaat kepada anda semua.